New York

Review: ‘The Dog Must Die’ at The Highwood Theatre

What is a life worth? What is the Earth worth? And what are we doing – what can we do, what should we do – to sustain and preserve them? These provocative questions, and other questions that are as...

Review: ‘Company’ presented by Fredericktowne Players

Company, with music and lyrics by Stephen Sondheim and book by George Furth, is now playing at the JBK Theater at the Frederick Community College presented by the Fredericktowne Players. It was...

Review: ‘Rabbit Summer’ at Ally Theater Company

By Guest Author Cecilia Mencia Institutional racism, cultural trauma, gun right, police brutality: Playwright Tracy Conyer Lee tackles many social issues in her play Rabbit Summer. Directed by...

Review: ‘Young Frankenstein’ at Toby’s Dinner Theatre

It did not turn out well for Dr. Frankenstein or his monster, but receiving an abnormal brain was a blessing for Mel Brooks. After eight decades in show business, he is still using that gift to get...

In the Moment: ‘Image China: Dragon Boat Racing’ at the Kennedy Center

Explore some of the modern culture and 20th-century history, the music and movement, of the world’s most populous country, China. Take in a full-scale epic tale, full of pageantry and a youthful love,...

Interview: Tracey Conyer Lee, ‘Rabbit Summer’ Playwright (Women’s Voices Theater Festival)

Have you ever met someone who left you feeling as though there is nothing you can’t do? I got that feeling each time I sat down with four playwrights and a director who identify as women of color from...

Broadway in Annapolis: ‘The Secret Garden’ Coming to Maryland Hall for the Creative Arts

Annapolis gets a little Broadway treatment when Live Arts Maryland presents The Secret Garden on February 9-10 at 8 p.m. at Maryland Hall for the Creative Arts. Joining Music Director J. Ernest Green,...

Review: ‘Passing Strange’ at The Wilma Theater

“Life is a mistake that only art can correct.” That’s not a line you’d expect to hear at a rock and roll show, is it? But Passing Strange isn’t your typical rock show, or musical, or biography. It...

‘Women’s Voices Theater Festival’ and ‘Winterfest’ Present New Works in NYC from January through March

New York City is ringing in the New Year with a full slate of new works presented in January, February, and March, including a one-day event with the Dramatists Guild Foundation in support of the...

Interview: La-Ti-Do Co-Founder Don Mike Mendoza Reflects on 6 Years of Cabaret

DC Theater Arts had a chance to sit down with local producer Don Mike Mendoza to discuss the upcoming 6th anniversary of his company La-Ti-Do Productions. La-Ti-Do gives the DC scene a cutting-edge...

Review: ‘John Lithgow: Stories by Heart’ at Roundabout Theatre Company

In 2002, when his 86-year-old father was gravely ill, award-winning actor John Lithgow read stories to him at his bedside – the same stories his dad Arthur Lithgow, a regional theater artist to whom...

Review: ‘Mary Shelley’s Frankenstein’ at Ensemble for the Romantic Century

Robert Fairchild, a lead dancer with the New York City Ballet Company, burst upon the Broadway scene two years ago by playing the lead in the stage version of An American In Paris. He was immediately...

Review: ‘Inherit the Wind’ at Baltimore’s Vagabond Theatre

On a cold winter’s night, nothing heats up faster than a fiery debate. And when it comes to political grandiloquence – as timely today as 100 years ago – the Vagabond Players opening night performance...

‘Einstein!’ Returns to Under St. Marks Theatre

Sew and Sew Productions and the Horse Trade Theater Group present the return of Jack Fry’s highly-acclaimed Einstein! to New York City in January. Playing again at Under St. Marks Theatre, where it...

In the Moment: Interview with Stage Manager Paul D. Michnewicz

One of the questions I often receive from theater-goers surrounds the mystery of what a stage manager does for a live theater production. The stage manager is rarely seen, and doesn’t seem to have a...

Report: La-Ti-Do’s Cabaret and Spoken Word Shows Will Be DC’s Hot Ticket in 2018

Imagine a company that blends the drama of Broadway with the talent of spoken word artists: this is just scratching the surface of what to expect at a La-Ti-Do show. The brainchild of Don Michael...

Review: ‘Farinelli and the King’ at the Belasco Theatre

I believe there’s a reason the name of the countertenor Farinelli precedes that of King Philippe V of Spain in the title of the play running currently at the Belasco Theatre on Broadway. Unlike The...

News: Exclusive La-Ti-Do 2018 Season Feature Announcement

Curated and hosted by co-founders Don Michael Mendoza and Regie Cabico, La-Ti-Do is DC’s premiere musical theatre cabaret and spoken word series. Cabaret and spoken word performances appear in New...

Review: ‘The Children’ at Manhattan Theatre Club

The Manhattan Theatre Club has imported the London Royal Court Theatre’s production of The Children by Lucy Kirkwood, and with it have come the highly acclaimed original cast (Francesca Annis, Ron...

New Records: Listening to ‘Bandstand’ and the Music of Alan Menken

This report on New Records includes three Alan Menken shows that recently received fresh recordings, plus a Broadway show from this year that unfortunately closed after a modest run. God Bless You,...

Review: ‘Urban Scuba: Adult Swim’ at Brian Sanders’ JUNK

Part of the popular Urban Scuba Series, this year’s holiday offering by Brian Sanders’ JUNK is one that’s sure to land you on Santa’s naughty list! Urban Scuba: Adult Swim presents a sequence of saucy...

Review: ‘The Color Purple’ at the Forrest Theatre

It may take place in rural Georgia circa 1909, but because of today’s headlines about the mistreatment of women, The Color Purple is more relevant than ever. The tour of the recent Broadway hit...

Review: ‘The Parisian Woman’ at Hudson Theater

Drawing room comedy is back for the moment, thanks to Beau Willimon’s The Parisian Woman. Genuine high wattage star Uma Thurman is riding in this vehicle which deals with the powerful people in...

Review: Hilary Hahn Plays Bernstein with The Philadelphia Orchestra

The Leonard Bernstein Centenary continues with concerts by Yannick Nézet-Séguin and The Philadelphia Orchestra. Last weekend’s performances featured one of Bernstein’s most interesting (and relatively...

Review: ‘A Christmas Carol’ at McCarter Theatre Center

A snowy Princeton afternoon may be the most festive of conditions in which to see the great McCarter Theatre holiday tradition of A Christmas Carol. Add to that a host of Dickensian characters...

Review: ‘Meteor Shower’ at the Booth Theatre

This 90-minute sketch by Steve Martin begins as a situation comedy. Until fairly recently there were always several lighting up Broadway; and they were usually written by the likes of Neil Simon, Jean...

Review: ‘SpongeBob SquarePants’ at the Palace Theatre

At last, a musical version of the SpongeBob family of characters who first appeared in a film cartoon in 1999. The title character and his friends have always lived in the fictional underwater city of...

Review: ‘Once On This Island’ at the Circle in the Square Theatre

The first Broadway revival of the 1990 Tony-nominated hit musical Once On This Island, with book and lyrics by Lynn Ahrens and music by Stephen Flaherty, brings an innovative vision to an old...

Review: ‘Where Has Tommy Flowers Gone?’ at The WorkShop Theater

One of the early, less-familiar works by Tony Award-winning playwright and librettist Terrence McNally (famed for his highly-acclaimed Love! Valour! Compassion!, Master Class, Kiss of the Spider...

Review: ‘My Fair Lady’ at Quintessence Theatre

Quintessence Theatre has built a strong reputation as a home for classic drama. But now they’ve dived into the American Musical Theatre canon in a big way by staging one of the most popular and...

Interview: Violinist Tessa Lark Discusses Her Career and Her Upcoming Performance at the Phillips Collection

Don’t just call Tessa Lark a crossover artist. The fast-rising classical violinist may also be known for playing at jazz clubs in New York and elsewhere, and for her country fiddling at bluegrass...

Review: ‘Miracle on 34th Street: The Musical’ at Toby’s Dinner Theatre

It doesn’t exactly live up to its billing as a miracle, but Miracle on 34th Street: The Musical at Toby’s Dinner Theatre has its heart in the right place. It is a lovely way to gather the family...

Review: ‘Brigadoon’ at New York City Center

I was about to resignedly sigh about another tired revival of a favorite musical from the Golden Age, when along came Brigadoon from the remarkable New York City Center “Encores!” series to force me...

Review: ‘Who’s Holiday!’ at Westside Theatre

If your fond childhood memories include Dr. Seuss The Grinch, his dog Max, and a Ville filled with Whos You might like a sequel from 40 years hence Though if you’re a Grinch, too, you might take...

Review: ‘Disney’s Beauty and the Beast’ at The Media Theatre

“Tale as old as time”? If you’re the parent of a young child who has watched a certain Disney animated film on video over and over and over, it might seem that way. But when you take that child – or...

Review: ‘Harry Clarke’ at The Vineyard Theatre

Only on rare occasion have I found a one-man (or woman) play rich enough for my blood. I do recall John Gielgud’s mesmerizing performance in Shakespeare’s Ages of Man, and there have been some plays...

Review: ‘Office Hour’ at The Public

The playwright Julia Cho now has Office Hour on at the Public Theatre, but she has been a steady and welcome contributor to the contemporary scene for some time. Works of hers have been produced at...

Review: ‘The Portuguese Kid’ at the Manhattan Theatre Club

Jason Alexander was a Broadway baby long before he achieved fame on Seinfeld, but he’s had trouble re-establishing himself even though he’d appeared in Merrily We Roll Along, The Rink, Jerome Robbins’...

Review: ‘Finding Neverland’ at the Academy of Music

I went into Finding Neverland with high hopes. I had been enchanted by the 2004 film from which this musical has been adapted. The story, based on a play by Allan Knee, follows the (highly...

Review: Broadway-Bound ‘Mean Girls’ at the National Theatre

It’s fun, it’s pink, it’s very Tina Fey. The pre-Broadway world premiere of Mean Girls officially opened at the National Theatre last night. Judging from the excitement in the theater (care to wait in...

Review: ‘Harry Clarke’ at Vineyard Theatre

At the core of all great theater is the art of great storytelling. Harry Clarke, a solo show with a compelling story told by a riveting actor in a tour-de-force performance, is just that. Now in its...

Review: ‘What We’re Up Against’ at WP Theater

Office politics, gender-based inequality in the workplace, and self-damning outbursts of flagrant misogyny fuel the flames of Theresa Rebeck’s razor-sharp feminist comedy What We’re Up Against, making...

Review: ‘The Lion King’ at the Hippodrome Theatre

The Lion King is epic. It is so full of throat-tightening spectacle and aural splendor that Baltimore’s grand Hippodrome Theatre can appear at times like a modest host. With Julie Taymor’s magical...

Review: ‘From the Diary of Sally Hemings’ at Unison Media

The New York premiere of William Bolcom’s composition, From the Diary of Sally Hemings, could not be more timely. With so much news focused on racial tensions, as well as the recent uproar over sexual...

Review: ‘The Fight’ at The Storm Theatre Company in New York

Reviewed by Steve Weinstein Stephen Sondheim had it nearly right in his lyrics to “I’m Still Here.” First, you’re a legend, then you’re camp, then you become an icon. As the Founding Mothers of the...

Review: ‘Annie’ at the Walnut Street Theatre

The sun’ll come out tomorrow Bet your bottom dollar that Tomorrow there’ll be sun…. Those familiar lyrics seem fresher than ever in Walnut Street Theatre’s new production of Annie. With its book by...

Report: ‘The Mousetrap,’ ‘A Woman of No Importance,’ ’42nd Street,’ and ‘Ink’ in London

A few weeks ago I found myself hankering to have a look at the London theater season, so I spent a day in the friendly skies of United Airlines to spend a week in which our own NY scene was fairly...

Review: ‘Junk’ at Lincoln Center Theater

A junk bond is a high-yield, high-risk maturity in the financial markets, and a greedy group of investors bought them and enjoyed the 10-12 percent interest that was sent out semi-annually, in most...

Review: ‘M. Butterfly’ at The Cort Theatre

The characters Song Lilig and her consort René Gallinard are back on Broadway. Their play is M.Butterfly and its tale of a romance between a French diplomat (Gallinard, played by Clive Owen in the...

Review: ‘It Takes Two…’ at Gay Men’s Chorus of Washington D.C.

The Gay Men’s Chorus of Washington, DC has just offered the DC Metro Theatre Region an alternately wistful, romantic, and humorous cabaret review entitled It Takes Two…. Presented at the Atlas...