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9714 posts — page 16 of 195

  • Washington Theatre to honor Victor Shargai with a region-wide dedication on February 14

    News Desk 2020-01-24

    The following news was released today by theatreWashington: The Washington theater community remains in mourning over the loss of Victor Shargai, long-time theatreWashington board chair, theater...

  • Theater and Policy Salon discusses Attainment, Fulfillment, and Resilience following January 30 performance of ‘Pipeline’ at Studio Theatre

    News Desk 2020-01-24

    Next Thursday, January 30, please join Theater and Policy Salon for a discussion on Attainment, Fulfillment, and Resilience at Studio Theatre following the 8 pm show of Pipeline. The panel discussion...

  • Interview with renowned choreographer Bill T. Jones ahead of world premiere of ‘What Problem?’ at Center for the Arts

    David Siegel 2020-01-24

    Social commentary in a dance performance is not unusual, especially in the modern dance community. But in a week-long residency by The Bill T. Jones/Arnie Zane Company at George Mason University,...

  • ‘The Merry Wives of Windsor’ at Folger Theatre: stellar comedy and groovy fashions

    Andrew Walker White 2020-01-22

    There are moments when art and life are so wittily and intimately entwined, you can feel the vibe without a word being said. Given the joyful display of color and power at this weekend’s Women’s...

  • Channeling chutzpah in ‘Pilgrims Musa and Sheri in the New World’ at Mosaic

    Ravelle Brickman 2020-01-22

    Pilgrims Musa and Sheri in the New World—the award-winning play now enjoying its DC debut at Mosaic Theater—is as delicious a romp as any that’s come along in a while. Billed as a romantic comedy,...

  • StateraArts Launches DC Area Mentorship Chapter for Womxn+ in the Arts

    News Desk 2020-01-22

    Female, female-identifying, GNC, and Trans theater artists in the Washington, DC area will soon have a new opportunity for career mentorship. Statera Mentorship recognizes that women, gender...

  • Mosaic goes rom-com with ‘Pilgrims Musa and Sheri in the New World’

    John Stoltenberg 2020-01-21

    This thoroughly delightful offering from Mosaic Theater Company has all the makings of a lighthearted rom-com. Boy picks up girl. He invites her to his place. She initiates sex. It’s hot. Though they...

  • ‘Spring Awakening’ is more relevant now than ever. Round House’s young actors tell us why.

    Darby DeJarnette 2020-01-21

    Spring Awakening has never been a shy musical. Based on German playwright Frank Wedekind’s 1891 tale of teenagers awakening to their sexuality amongst adults who failed to provide any sexual...

  • Laughs aplenty in Ken Ludwig’s ‘The Game’s Afoot’ at Reston Community Players

    Dana Roberts 2020-01-21

    Reston Community Players’ production of The Game’s Afoot is a lighthearted, murder-mystery comedy. The comedy was written by American playwright and Tony Award winner Ken Ludwig, of Lend Me A Tenor...

  • In the ‘Pipeline’ at Studio Theatre, a Black son’s legacy of rage

    John Stoltenberg 2020-01-21

    The set for Dominique Morisseau’s Pipeline at Studio Theatre could not be any whiter. Its white walls of freshly painted concrete blocks span the breadth of the stage and extend around the audience....

  • 2019 WATCH Award Nominations

    News Desk 2020-01-20

    In a ceremony at the Birchmere in Alexandria, Virginia, the WATCH Award committee announced the 2019 WATCH Award nominees. 101 productions (40 musicals, 61 plays) were adjudicated in 2019. The...

  • Mother and son fight to stay afloat in ‘Pipeline’ at Studio Theatre

    Bob Ashby 2020-01-20

    The pipeline in the title of Dominique Morisseau’s play is the “school-to-prison pipeline” affecting young African-American men. Fueled, as Studio Theatre’s dramaturgical notes explain, by a...

  • ‘A Gentleman’s Guide to Love and Murder’ at The Little Theatre of Alexandria is a comedic romp through the lines of succession and love

    Em Skow 2020-01-19

    After a lifetime of believing he was a humble nobody, Montague “Monty” Navarro learns he is a long-lost member of the D’Ysquith family and the 9th in line for the family earldom. Determined to seek...

  • American Pops Orchestra cleverly re-imagines ‘The Pied Piper’ at Arena Stage

    David Siegel 2020-01-19

    The weather outside was surely cold and cranky. But the outside world could be quickly forgotten as the American Pops Orchestra (APO), led by Maestro Luke Frazier, gently took children and adults by...

  • Jazzmeia Horn makes her return in the new jazz club at the REACH

    Michele Simms-Burton 2020-01-19

    Jazz vocalist, Jazzmeia Horn, returned to her home at the Kennedy Center on Saturday evening to deliver the first performance in the REACH’s jazz club, Studio K. Perhaps there is no better artist to...

  • 4615 Theatre’s gripping ‘A Measure of Cruelty’ rips open three men’s wounds

    John Stoltenberg 2020-01-19

    The casual cruelty that constructs men’s certainty they’re real men—and the cost of that violence to others and to themselves—comes under scathing scrutiny in Joe Calarco’s shattering one-act A...

  • Charming ‘Leading Ladies’ pleases at Vienna Theatre Company

    Darby DeJarnette 2020-01-18

    Leading Ladies is a charming little farce written by Ken Ludwig. Directed by Eleanore Tapscott, this production at Vienna Theatre Company is sure to be a popular, audience-pleasing production. The...

  • Songs of love and war in UrbanArias’ brilliant ‘Glory Denied’

    Barbara Mackay 2020-01-18

    If your parents taught you that opera is the ultimate blend of words and music, where both elements are dependent on the other and that the end result is far more than the sum of its parts, and if you...

  • Pianist Yefim Bronfman dazzles, while NSO disengages under guest conductor Gemma New

    Whitney M. Fishburn 2020-01-17

    Nature, nuance, or its lack thereof, were central themes when the National Symphony Orchestra welcomed conductor Gemma New, pianist Yefim Bronfman, and the young composer Salina Fisher to Washington...

  • For actor Justin Weaks, the diverse content produced in DC theaters was reason enough to move here

    Nicole Hertvik 2020-01-15

    In his five years on DC stages, actor Justin Weaks has played an impressive array of characters written by contemporary African American playwrights. It is a dream he feared would never become reality...

  • ‘Sheltered’ at Theater J hits home in America right now

    John Stoltenberg 2020-01-15

    A gathering stormcloud looms over this exquisitely wrought play by Alix Sobler. “How bad is it going to get?” a character wonders aloud. No one can answer. “It can’t go on like this much longer, can...

  • Theater J examines world history, good and bad, in ‘Sheltered’

    Barbara Mackay 2020-01-14

    Alix Sobler’s play Sheltered, based on real-life characters, is a rarity. It is a history play that doesn’t fall into the trap of portraying a period in history in such detail that it forgets to...

  • MLK’s final evening is imagined in NextStop Theatre’s ‘The Mountaintop’

    David Siegel 2020-01-13

    The Mountaintop by Katori Hall is a remarkably affecting play full of humanity, faith, unexpected humor, and the Almighty. Strikingly directed by two time Helen Hayes award recipient Kevin S....

  • ‘Quadrille’ at Greenbelt Arts Center is a four-handed game of romance and chance where true love prevails

    Ramona Harper 2020-01-13

    In a veddy, veddy proper tale about class differences, gender roles, secret lovers and the pitfalls of an arranged marriage, playwright Melynda Kiring is quite right that “the fun in this play is the...

  • ‘Grease’ at Riverside Center for the Performing Arts rocks and rolls

    William Powell 2020-01-13

    Grease is a musical that celebrates the changes born of the late 1950s era of rock n’ roll, drive-in movies, and James Dean–an era that sat on the cusp of the turbulent 1960s. Riverside Center for the...

  • Old dogs and new tricks: the Hermès Quartet and guests in performance at the Phillips Collection

    Whitney M. Fishburn 2020-01-13

    Here’s a thought: Older virtuosi are boring. That’s not original to me, but to an audience member who offered his views during a concert intermission recently. We were at the Phillips Collection for a...

  • ‘Yellow Face’ at Silver Spring Stage sparks important conversations

    Andy Arnold 2020-01-13

    Is racism a taboo subject in the arts? Of course not. From Uncle Tom’s Cabin to Porgy and Bess to the whitewashing of the Oscars, artists have used their platform to explore America’s history of...

  • A Black boxing champion battles racism in ‘The Royale’ at 1st Stage

    Bob Ashby 2020-01-13

    Black early 20th-century celebrity heavyweight boxing champion Jack Johnson has had as irresistible a pull on subsequent playwrights and filmmakers as he did on the public of his day. Already the...

  • ‘1001 Black Inventions’ continues The Essential Theatre’s free presentations for young audiences

    News Desk 2020-01-13

    The Essential Theatre rings in the New Year by continuing an 18-month celebration of the 30th anniversary of its founding. In partnership with the District of Columbia Public Library System the...

  • Director Stevie Zimmerman on the rewards of going outside of comfort zone

    David Siegel 2020-01-12

    Professional theaters in the DMV have been at the forefront of making diversity a critical watchword and action step. During the past several years, the DMV has hosted two Women’s Voices Theater...

  • Uplifting ‘Veils’ returns to Restoration Stage by popular demand

    John Stoltenberg 2020-01-12

    Four African American women address the audience as if speaking to a department store clerk. Each is shopping for a dress—a dress, they stress, that must be “special.” As they turn to the faces of...

  • Colonial Players’ fascinating ‘The Children’ explores bleak post-nuclear future

    Darby DeJarnette 2020-01-11

    Annapolis’ Colonial Players takes on Lucy Kirkwood’s 2016 environmental disaster drama The Children in an intimate production which explores the human cost of uncontrolled consumption and destruction....

  • WNO’s American Opera Initiative 2020 is an essential take on opera in America

    Whitney M. Fishburn 2020-01-11

    “It’s a ridiculous thing to sing at the top of your lungs about your vulnerability,” American composer Laura Kaminsky observed to this year’s Washington National Opera’s American Opera Initiative...

  • Review: At the Kentlands Arts Barn, Nat King Cole is as ‘Unforgettable’ as you remember him to be

    Mark Ludder 2020-01-11

    A near-capacity crowd hushed as the evening opened with the title song from Nat King Cole’s 1959 album Welcome to the Club. I was immediately impressed that Don Dillingham, the evening’s soloist,...

  • ‘NSO Pops: Diana Ross – Music Book 2020’ brings mesmerizing Motown royalty to the Kennedy Center

    William Powell 2020-01-10

    She’s mesmerizing, astounding, and accomplished beyond reason. I’m writing about world-renowned superstar recording artist Diana Ross. Ross, conductor Emil de Cou of the National Symphony Orchestra,...

  • Folger Theatre setting up summer shop at National Building Museum

    News Desk 2020-01-09

    The National Building Museum announced its partnership with Folger Shakespeare Library, in association with the University of South Carolina, to design the 2020 Summer Block Party exhibition for the...

  • American Shakespeare Center announces principal casting for Marquee Repertory season

    News Desk 2020-01-09

    American Shakespeare Center launches the 2020 Marquee Repertory season this summer navigating the waters of Venice, the glittering locale of Shakespeare’s Othello and The Merchant of Venice and Ben...

  • Tchaikovsky’s vocal compositions attract audiences in DC and New York

    David Rohde 2020-01-08

    It is often hard to determine what fills the seats in many performing arts genres, with counterintuitive surprises on both the negative and positive side. Count this one as a positive: While Peter...

  • Studio Theatre names Reginald L. Douglas Associate Artistic Director

    News Desk 2020-01-07

    Studio Theatre and Artistic Director David Muse are pleased to announce that Reginald L. Douglas will join the organization as its new Associate Artistic Director later this month. Douglas comes to...

  • ‘Richard the Second’ at Brave Spirits Theatre: a tale of two kings

    Sophia Howes 2020-01-07

    Brave Spirits Theatre (BST), led by Artistic Director Charlene V. Smith, has taken on a spectacular challenge: Shakespeare’s eight history plays. Richard the Second, Henry the Fourth Parts I and II,...

  • Dark Horse Theatre Company presents regional premiere of ‘The Laramie Project: Ten Years Later’

    Leandra Lynn 2020-01-06

    Located just 47 miles away from Washington, DC in The Plains, Virginia, Dark Horse Theatre Company creates some of the best theater in the DC area. Director Natasha Parnian continues a streak of...

  • IN Series’ ‘Le Cabaret de Carmen’ is opera for those unafraid of art’s raw power

    Whitney M. Fishburn 2020-01-06

    “I want us to be in contention for a Helen Hayes Award,” IN Series artistic director Timothy Nelson told me last fall over coffee near his office in the Shaw neighborhood. We were discussing his...

  • DCMTA 2019 Staff Favorites: Outstanding Design Elements in Professional Productions

    DC Theater Arts Staff 2020-01-02

    As the year draws to a close, we asked DCMTA writers to think back on the shows that left an indelible impression on them in 2019. In this category, outstanding professional design, we recognize:...

  • ‘A Jazz New Year’s Eve’ brought Branford Marsalis’ innovative style to the Kennedy Center

    Michele Simms-Burton 2020-01-01

    The Grand Foyer at the John F. Kennedy Center for the Performing Arts teemed with patrons sporting gowns swirling against the carpeted floor and tuxedos announcing an auspicious occasion, signifying...

  • The audacity of Brave Spirits Theatre: a conversation with Artistic Director Charlene V. Smith

    David Siegel 2020-01-01

    Tumultuous times call out for audacity in the performing arts. And Brave Spirits Theatre (BST) has boldly marked its territory for the next two years. Over the 2020 and 2021 seasons, Brave Spirits...

  • DCMTA 2019 Staff Favorites: Outstanding Performance in a Professional Production

    DC Theater Arts Staff 2019-12-30

    As the year draws to a close, we asked DCMTA writers to think back on the performances that left an indelible impression on them in 2019. Here are the professional performances that made the biggest...

  • Playwright Jonathan Spector on the shadows that lurk behind the laughter in ‘Eureka Day.’

    Ravelle Brickman 2019-12-26

    There’s no doubt about it. Eureka Day is a very funny play. The show, now having its DC debut at Mosaic Theater, features five perfectly-attuned actors, a director who understands comedy, a script...

  • Family friendly ‘Tiny Tim’s Christmas Carol’ at Silver Spring Stage

    Charles Green 2019-12-23

    Silver Spring Stage’s production of Tiny Tim’s Christmas Carol is a fun, family-friendly take on Charles Dickens’ classic tale. Written by Ken and Jack Ludwig, this 2015 play has Tiny Tim and his...

  • A Powerhouse Performance of Handel’s Messiah by NSO at The Kennedy Center

    Bob Ashby 2019-12-23

    At the outset, I will confess a bias: I much prefer listening to baroque pieces played in the style, and on the scale, of the time in which they were composed. Handel’s 1741 oratorio Messiah was...

  • ‘A Christmas Carol’ comes to life at Museum of the Bible

    Darby DeJarnette 2019-12-22

    Charles Dickens’ classic holiday tale A Christmas Carol comes to life in a unique living history experience at Museum of the Bible in the aptly named A Christmas Carol Experience. This charming...

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