Kennedy Center

Commemorate Armistice Day with The Washington Chorus This Sunday

This November, as Americans prepare for Thanksgiving and the start of the holiday season, arts organizations across the Washington area will commemorate a more somber occasion: the 100th anniversary...

Review: ‘Silent Night’ at the Kennedy Center Washington National Opera

The Washington National Opera’s current production of the opera Silent Night is a shattering indictment of the futility and waste of war set during the historical truce that occurred during World War...

Review: ‘Anastasia’ at The Kennedy Center

Will you be swept up into the legend of Anastasia, the youngest daughter of Nicholas II, the last Emperor of Russia? When her family was executed during the Russian Revolution, the rumor spread that...

Review: ‘Long Way Down’ at The Kennedy Center

Long Way Down, adapted from the renowned young adult novel in verse by Jason Reynolds, is told in the voice of a 15-year-old named Will and performed by the prodigiously talented Justin Weaks. He is...

Review: ‘Little Shop of Horrors’ at the Kennedy Center

It has taken more than 35 years for Alan Menken and Howard Ashman’s iconic musical Little Shop of Horrors to reach the Kennedy Center. But it’s been worth the wait! The Kennedy Center’s Broadway...

A Conversation with Playwright Naomi Iizuka and Director Jon Jon Johnson

By Sophie Herreid, Caitlin Partridge, Lauren Patton I had so many hopes. I had so many dreams. But I died I died I died along the way. – Chorus of Refugees, ‘Anon[ymous]’ Playwright Naomi Iizuka...

Choreographer Cathy Marston Talks Kennedy Center Debut With San Francisco Ballet

In San Francisco, the Unbound Festival included twelve choreographers and was a massive undertaking filled with phenomenal risks, tremendous creative freedom and the excitement of new territory. For...

Interview: San Francisco Ballet Artistic Director Helgi Tomasson Brings ‘Unbound’ to The Kennedy Center

In San Francisco, the Unbound Festival included 12 choreographers and was a massive undertaking filled with phenomenal risks, tremendous creative freedom and the excitement of new territory. For their...

Halloween Best Bets for DC Theatre Lovers

Looking to have a spoooooky good

Review: ‘Les Misérables’ at the Hippodrome Theatre

The Hippodrome Theatre has bookended its 2018 season with a pair of heavy-lifting musicals about democracy and revolution. For openers, it has that 30th-anniversary touring production of Les...

Review: ‘La traviata’ by the Washington National Opera

Washington National Opera’s current production of Giuseppe Verdi’s La traviata is a moving and heart-wrenching view of tragic romantic love in all its variations. Under the taut and astute direction...

Review: ‘2018 Marian Anderson Vocal Award Winner: Ryan Speedo Green in Concert’ at the Kennedy Center

Ryan Speedo Green is a man with a story. Many opera fans first learned his name through Daniel Bergner’s 2016 book Sing for Your Life: A Story of Race, Music, and Family. The New York Times journalist...

Page to Stage 2018: Tastings from a Buffet (Part Two)

Kennedy Center’s annual Page to Stage Festival is always chock full of tempting offerings, and the challenge of deciding what to see is daunting. It’s like an all-you-can-eat buffet…except you really...

Page to Stage 2018: Tastings from a Buffet (Part One)

Kennedy Center’s annual Page to Stage Festival is always chock full of tempting offerings, and the challenge of deciding what to see is daunting. It’s like an all-you-can-eat buffet…except you really...

Page to Stage Festival 2018: A Complete Listing of Shows

UPDATE: Click here for an interactive guide to the Page-to-Stage Festival. A very helpful tool in planning your visit. The Kennedy Center’s 17th annual Page to Stage Festival offers theatergoers the...

Playwright Neil Simon Dies at 91

Neil Simon, the Pulitzer Prize-winning American playwright, died last night at New York-Presbyterian Hospital in New York City. The cause was complications from pneumonia. He was 91 years old. His...

How ‘Hamilton’ Is Remaking American History

By Renee C. Romano and Claire Bond Potter America has gone Hamilton crazy. Lin-Manuel Miranda’s musical about Alexander Hamilton, “the forgotten founding father,” has become a turning point in...

Interview With Tom Sweitzer About ‘Coming of Age’ Cabaret

Entertainment and enlightenment are only two of the expectations for the upcoming performance of Coming of Age at the Creative Cauldron as a group of talented teens perform a cabaret with compelling...

Review: ‘The Color Purple’ at the Kennedy Center Eisenhower Theater

“I think it pisses God off when you walk by the color purple in a field and don’t notice it,” said the character Shug Avery in novelist Alice Walker’s Pulitzer Prize-winning The Color Purple, which...

Three Truths I Took Away From Second City’s ‘Generation Gap’

Are we brave enough to laugh at ourselves? That’s a question The Second City explores in it’s latest comedy show Generation Gap, playing now through August 12th at the Kennedy Center. The show blends...

Review: ‘RIOT!: A Celebration of Women in Comedy’ at the Kennedy Center District of Comedy Festival

Riot!: A Celebration of Women in Comedy was part of the District of Comedy Festival at the Kennedy Center, featuring a weekend of comedy including stand-up, improv, sketch, variety, podcasts, and even...

Review: ‘Harry Shearer: Up To Eleven’ at The Kennedy Center

My father first showed me This Is Spinal Tap when I was about fifteen. It was immediately one of my absolute favorite films. I’ve seen it at least a dozen times since then, tried and failed to learn...

Prepare for the Unexpected: An Interview with Christopher Bell, Artistic Director and Conductor of The Washington Chorus

Even in Washington, DC, a town unofficially known as the choral capital of the United States, Christopher Bell stands out as a milestone hire for The Washington Chorus (TWC). Bell, who just finished...

Review: ‘Ain’t Too Proud: The Life and Times of the Temptations’ at The Kennedy Center

Ain’t too many surprises in Ain’t Too Proud, the new jukebox musical about the supergroup The Temptations and their rise to meteoric heights. Their music defined a generation and gave voice to the...

Review: The Second City’s ‘Generation Gap…Or, How Many Millennials Does It Take to Teach a Baby Boomer to Text Generation X?’

The Second City’s Generation Gap is everything you’ve ever mocked your parents, grandparents, recent grad intern and tween niece for, but wittier and with better lighting. Generation Gap has you...

Review: ‘Portraits’ by Dana Tai Soon Burgess Dance Company at the Kennedy Center

The portraits hang solemnly, unmoving at the Smithsonian’s Portrait Gallery. Choreographer Dana Tai Soon Burgess breathes life and movement into these two-dimensional works of art with a triptych of...

Review: ‘Hamilton’ at the Kennedy Center Lives Up to the Hype

Legacy. It is the central theme of Hamilton. One has to ask—could Lin-Manuel Miranda have known while penning this masterpiece that Hamilton would one day become his legacy? If so, that is quite the...

Kennedy Center to Honor World Refugee Day with Free Performance by Melat

In a special Kennedy Center Millennium Stage performance commemorating World Refugee Day on June 20, 2018, the United Nations High Commissioner for Refugees (UNHCR) and The Kennedy Center will present...

Exclusive: ‘Hamilton’ Through the Eyes of Original Broadway Cast Member Betsy Struxness

In part one of our “Summer of Hamilton” series, original cast member Betsy Struxness recalls the show’s earliest days. Hamilton. What’s to be said that hasn’t been said? Phenomenon. Game Changer....

Review: ‘Ever in the Glades’ at the Kennedy Center

Whether we grew up in the heart of DC, Manhattan, Evanston, on a midwestern farm, or in the Everglades, we all seemingly arrive at adulthood after spending years on an isolated island, cut off from...

Review: ‘How to Succeed in Business Without Really Trying’ at the Kennedy Center

The Kennedy Center advertises its Broadway Center Stage series as presenting shows in a “semi-staged concert format.” For Frank Loesser’s 1961 satire of mid-20th century New York corporate life, How...

Review: ‘Lea Michele & Darren Criss – the LM/DC Tour’ at the Kennedy Center

Cue the dramatic backdrops because the lights of Broadway were sparkling this past Sunday at the Kennedy Center in DC. Crackling with infectious energy, the newly launched LM/DC Tour with Lea Michele...

Breaking News: Kennedy Center Announces ‘Hamilton’ Ticket Lottery in Washington, DC

The Kennedy Center Announces a #HAM4HAM Hamilton ticket lottery in Washington, DC. 40 tickets will be sold for $10 each to every performance at the Kennedy Center Opera House (June 12-September 16)....

Review: ‘Don Quixote’ by Ballet Nacional de Cuba at the Kennedy Center

With apologies to T.S. Elliot, Ballet Nacional de Cuba ends the Kennedy Center Ballet 2017-2018 season not with a whimper but a bang. A big bang! An explosive Don Quixote opened last night and repeats...

Magic Time!: ’10 Million’ and ‘The Bitter Tears of Petra von Kant’ at The Kennedy Center

Among the rich offerings in The Kennedy Center’s Artes de Cuba festival were two extraordinary works of theater, each performed but twice: The Bitter Tears of Petra von Kant, from Teatro El Público,...

Rising Stars: Emily Pogorelc in the Washington National Opera’s ‘Candide’

When Emily Pogorelc bursts onto the stage in the Washington National Opera’s current production of Leonard Bernstein’s Candide, there is a shock of laughter. Pogorelc plays Cunegonde, the spoiled...

Review: ‘The Bitter Tears of Petra von Kant’ at The Kennedy Center

Obsessional unrequited love is what prompts Petra von Kant’s bitter tears in the 1972 German film by Rainier Werner Fassbinder. The movie is a languid immersion in the self-absorption of a...

Review: ‘Carol Burnett: An Evening of Laughter and Reflection’ at the Kennedy Center

In 2018, our list of living legends is dwindling. So to be in the same room with one of the greatest comediennes of all time– Emmy, Golden Globe, People’s Choice, Horatio Alger, Ace Award, Peabody,...

Review: Malpaso Dance Company at the Kennedy Center’s “Artes de Cuba” Festival

Make no mistake about it, there were no missteps in the lusciously agile performance of the Malpaso Dance Company at the Kennedy Center on Friday night. The company has been growing strong since 2012...

In the Moment: ‘An Evening with Mavis Staples’ at the Kennedy Center Spring Gala

The 2018 Kennedy Center Spring Gala was a dandy one, celebrating the recipients of the third annual Kennedy Center Award for the Human Spirit. The award recipients, Gary Sinise and Eli and Edythe...

Review: ‘Candide’ by the Washington National Opera

Washington National Opera concludes its 2017-2018 season with a fresh production of Leonard Bernstein’s Candide directed by Washington National Opera’s Artistic Director Francesca Zambello. If it’s...

Review: ‘Hamlet’ by the Royal Shakespeare Company

The fabled Royal Shakespeare Company brought its Hamlet to the Kennedy Center this week, in a production fully worthy of its glittering reputation. The RSC Hamlet is lavish, bursting with freshness,...

Review: ‘The Barber of Seville’ at the Kennedy Center

The current production of the Washington National Opera –Gioachino Rossini’s The Barber of Seville plays like a frenetically captivating musical dreamscape of schemers, clowns, and romantic lovers....

Review: ‘Goldberg Variations – ternary patterns for insomnia’ with Andersson Dance and Scottish Ensemble

Making the extraordinary ordinary appears to be a notion we can’t shake. If it isn’t dumbing down, it’s taking down, mashing up or just plain copying. Thursday, April 26 at the Kennedy Center’s...

Interview: Composer Gregory Spears Unpacks Thoreau in Upcoming DC World Premiere

On Saturday, April 28th at The Kennedy Center’s Terrace Theater, Vocal Arts DC will present their newly commissioned, world premiere of composer Gregory Spears’ song cycle, WALDEN (based on Henry...

Review: Tracy Morgan at The Kennedy Center

Following up his nationwide tour, Picking Up the Pieces, and Netflix special, Staying Alive, actor, writer, producer and comedian Tracy Morgan, celebrated for in his roles in Saturday Night Live and...

Review: ‘After the Rehearsal’ and ‘Persona’ at The Kennedy Center

Back in college in Minnesota, I was so into the forlorn films of Ingmar Bergman that I think he affected my mental health. I could relate to his bleak Nordic worldview, which I associated with long...

In the Moment: Report on The Kennedy Center’s 2018 Arts Summit

The time is most certainly right for the arts to be disruptive; to assert and insert itself in national discussions about social justice and inclusion. Turbulent times call out for the arts–not merely...

Review: ‘Shear Madness’ at The Kennedy Center’s Theatre Lab

Let’s face it: things have been a little stressful lately. Everywhere we turn we see violence, corruption, investigations, allegations. Shear Madness, a long-running (over 13,200 performances and...

Preview: The Kennedy Center’s 2018-19 Season Brings Theater Front and Center

We were promised surprises – guest artists and other treats – at the Kennedy Center’s 2018-2019 Theater Season announcement Tuesday in the Center’s cozy Terrace Theater. And, as expected, Kennedy...